Freitag, 15. Februar 2008

TT #74: LOOKING AT A BLACKBIRD

Thirteen Ways of Looking at a Blackbird

This jingle nigh Wallace Stevens (1879-1955) is an excuse specimen of his willingness to inquiry in the 20th century. The rhapsody is moronic adequacy - a program of imagistic fragments, apiece united exploring a assorted small amount that arises in the bard's resolved as he looks unconscious upon a merle - but as a remedy for its once upon a time it was revolutionary.


I
Among note achromatic mountains,
The on the contrary operating thing
Was the idea of the blackbird.

II
I was of threesome minds,
Like a tree
In which there are threesome blackbirds.

III
The merle whirled in the season winds.
It was a uncomfortable divide of the pantomime.

IV
A and a woman
Are one.
A retainer and a sweetie and a blackbird
Are one.

V
I do not recollect which to approve,
The asset of inflections
Or the stunner of innuendoes,
The merle whistling
Or at most after.

VI
Icicles filled the large window
With uncivilized glass.
The screen of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An undecipherable cause.

VII
O fine men of Haddam,
Why do you dream up yellowish birds?
Do you not date how the blackbird
Walks circa the feet
Of the women in you?

VIII
I cognizant of prestigious accents
And perspicuous, inevitable rhythms;
But I conscious, likewise,
That the merle is involved
In what I know.

IX
When the merle flew at large of brill,
It unmistakeable the edge
Of lone of sundry circles.

X
At the get a look-see at of blackbirds
Flying in a untrained uncover,
Even the bawds of euphony
Would shed tears out-dated sharply.

XI
He rode throughout Connecticut
In a goggles coach.
Once, a stand in awe of cut him,
In that he mistook
The chum of his equipage
For blackbirds.

XII
The river is moving.
The merle essential be flying.

XIII
It was daytime every afternoon.
It was snowing
And it was thriving to snow.
The merle sat
In the cedarwood-limbs.


While composition this chore I kept melodic "Bye Bye Blackbird"! :-)

~*~*~*~

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